Tirso de Molina's comedy «Las Quinas de Portugal» and Salazar's censorship
DOI:
https://doi.org/10.13035/H.2015.03.02.04Abstract
In March 1968, Portuguese censors stopped the broadcast on public television —which was the only television network at the time— of Tirso de Molina’s comedy Las quinas de Portugal. This play stages the most important creation myth for the Portuguese nation: on the eve of the battle of Ourique, a crucified Christ appeared and offered Count Afonso Henriques his five holy wounds as a symbol for the Portuguese coat of arms. In this article, I intend to understand the ethical and political reasoning of the censors who read this play, written by one of the most important playwrights of the Spanish Golden AgeDownloads
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Published
2015-11-25
Issue
Section
Relaciones políticas y literarias en España y Portugal (Coordinadores: António Apolinário Lourenço y Jesús Mª Usunáriz)
License
Hipogrifo (ISSN: 2328-1308) es una revista bajo una Licencia Creative Commons Atribución-NoComercial-SinDerivadas 3.0 Unported.