Baroque Apocalypse in Homero Aridjis’ «Gran teatro del fin del mundo»
DOI:
https://doi.org/10.13035/H.2014.02.02.06Abstract
The present article provides a (neo)baroque reading of the dystopic and postapocalyptic universe of Homero Aridjis’ (Mexico, 1940) Gran teatro del fin del mundo. The use of dystopia and allegory subverts the Western anthropologic paradigm: utopias of continuous progress and triumphant individualism can be read in reverse. The analysis is structured in three parts: first part establishes the nature of intertextual relationship with Calderón’s baroque piece El gran teatro del mundo; second part describes ironic dystopia in Gran teatro del fin del mundo; third part highlights the logic of reversed aridjian aesthetics.Downloads
Download data is not yet available.
Downloads
Published
2014-09-18
Issue
Section
Articles
License
Hipogrifo (ISSN: 2328-1308) es una revista bajo una Licencia Creative Commons Atribución-NoComercial-SinDerivadas 3.0 Unported.